Michael
McGoldrick is famed as one of the greatest flute-players in the world (he also
plays tin whistle, uilleann pipes and low whistle), and has collaborated with
John Cale, Youssou N'Dour and Kate Rusby, among many other luminaries. Though
he's evidently not averse to a spot of good old Celtic fluting, as his debut,
the markedly traditional Morning Rory, proved, he has since gone on to explore
a more invigorated style of playing, bringing an energy and vitality to the
flute, in a way that isn't altogether removed from Andrew Bird and Owen
Pallett have done with the violin — albeit not quite so pop-orientated.
His last two solo albums, Fused and Wired, have dabbled in trance, jazz and
Indian percussion.
On
Aurora he has reined the fiery experimentalism a notch or two, though there's
still something unconfined and adventurous about the way he plays, and indeed
the way he structures his pieces. It's there, too, in his willingness to meld the
traditional and the more contemporary — the frantic opening of Freefalling, for
instance, which McGoldrick explains as having been inspired by a bungee jump in
New Zealand, conjures sharp bursts of brass and keyboard, while on the closing
Tunin Dre, a song written by guitarist Ian Fletcher, with whom McGoldrick plays
in Future Trad Collective, the structure is brought by a west coast G-funk
beat.
But
there are more conventional numbers here too — Late Nights at the Central, for
instance, includes a contribution from Moving Hearts founder Dónal
Lunny and is a melding of four jigs, including one in tribute to late-night
sessions at Glasgow's Central Hotel during the Celtic Connections festival, and
another named Christy's Carrots, dedicated to an allotment-owning friend who
leaves vegetables on McGoldrick's porch.
This
is really McGoldrick all over; a kind of bungee-jumping, carrot-loving, G-funk
flautist. In this record he seems to be finding a new mature footing, the
youthful wilfulness meeting a tradition he loves, and something of the bite and
elation of his legendary live performances.
Laura Barton (http://www.bbc.co.uk/music/reviews/wm8r)
01 Freefalling
02 Late nights at the
central
03 Mackerel and tatties
04 Annam cara/Ships inthe night
05 Mickey's reel
06 Stone of destiny
07 Corrievreckan
08 Pontivy
09 Waterbound
10 Baltimore beginners
11 The jolly angler
12 Tunin dre
03 Mackerel and tatties
04 Annam cara/Ships inthe night
05 Mickey's reel
06 Stone of destiny
07 Corrievreckan
08 Pontivy
09 Waterbound
10 Baltimore beginners
11 The jolly angler
12 Tunin dre
Michael McGoldrick: Wooden
flute, uilleann pipes, mandolina, dobro, vocal, guitar.
Dezy Donnelly: Fiddle.
Donald Shaw: Keys.
James Mackintosh: Drums, percussion.
John Joe Kelly: Bodhrán.
Parvinder Bharat: Tabla.
Neil Yates: Trumpets.
Ed Boyd: Guitar.
Ewen Vernal: Basses.
Che Beresford: Drums.
Additional guest musicians:
Tommy Smith: Sax (4,7).
Heidi Talbot: Vocals (9).
John McCusker: Fiddle (9).
Manus Lunny: Bouzouki, guitar (1,3,5,7,10).
Emma Sweeney: Fiddle (2).
Alan Kelly: Accordion (1,3).
Andy Seward: Bass (9).
Donal Lunny: Bouzouki, guitar, bodhán (2, 11).
Brendan Power: Harmonica (6).
Anna Massie: Guitar (7).
Signy Jakobsdottir: Percussion (7).
Ian Fletcher: Electric guitar (4, 12).
Dermon Byrne: Button accordion (2).
Colin Farrell: Fiddle (5).
Heidi Talbot: Vocals (9).
John McCusker: Fiddle (9).
Manus Lunny: Bouzouki, guitar (1,3,5,7,10).
Emma Sweeney: Fiddle (2).
Alan Kelly: Accordion (1,3).
Andy Seward: Bass (9).
Donal Lunny: Bouzouki, guitar, bodhán (2, 11).
Brendan Power: Harmonica (6).
Anna Massie: Guitar (7).
Signy Jakobsdottir: Percussion (7).
Ian Fletcher: Electric guitar (4, 12).
Dermon Byrne: Button accordion (2).
Colin Farrell: Fiddle (5).
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