Here, the great Kudsi
Erguner performs (in tandem with a number of other musicians) a sema ceremony
in the Bayati mode. The compositions on this album were penned by Kochek
Dervish Mustafa Dede, a Sufist from the 16th century. It stands as the oldest
composition of Mevlevi Sufi music with a known composer. Not only that, but it's a relatively
lively composition that's executed wonderfully on this album. The ney playing
by Erguner is outstanding, as one would expect, and the vocals from the
accompanying group work well within the framework set out by the ney and
bendir. For someone looking to delve into the music of the dervishes, this
album from a relatively small French label wouldn't be a bad place to start.
There are countless other worthwhile albums available, but this one falls into the group of
better ones. For a look into the breadth of Islamic music, of which this is
only one part, one might wish to look into the Music of Islam series on Celestial
Harmonies (which also includes an album from the Aissaoua sect of Sufism), but
for sheer Mevlevi goodness, this album would be a good way to go.
Adam Greenberg, All Music Guide
1. NA'AT -I-MEVLÂNÂ (Praise
to the Prophet)
TAKSÎM (Improvisation on the ney)
2. PESREV (Instrumental prelude)
BIRINCI SELÂM (First salutation)
3. IKINCI SELÂM (Second salutation)
4. UÇUNCI SELÂM (Third salutation)
DORDUNCU SELÂM (Fourth salutation)
TAKSÎM (Improvisation on the kemanche)
5. NIYÂZ AYINI (Ceremony of the vow)
TAKSÎM (Improvisation on the ney)
TAKSÎM (Improvisation on the ney)
2. PESREV (Instrumental prelude)
BIRINCI SELÂM (First salutation)
3. IKINCI SELÂM (Second salutation)
4. UÇUNCI SELÂM (Third salutation)
DORDUNCU SELÂM (Fourth salutation)
TAKSÎM (Improvisation on the kemanche)
5. NIYÂZ AYINI (Ceremony of the vow)
TAKSÎM (Improvisation on the ney)
6. RECITING THE KORAN
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