domingo, 31 de julio de 2011

Kapela Ze Wsi Warszawa (Warsaw Village Band) - Wiosna Ludu (People's Spring) (2001)



«The Warsaw Village Band, one of Poland’s outstanding new bands, was founded in 1997 by six young musicians wishing to preserve traditional Polish music without producing ‘plastic folk’ for a mass culture. Performing in a style described as “hardcore folk” or “bio techno”, they treasure the memories of their ethnic roots, and keeping them alive, they connect tradition to new modern aesthetics. They want to offer a new cultural proposition young people, far from narrow-mindedness and mass culture. While travelling the Polish countryside, they learnt traditional music that had been nearly forgotten. 

Inspired by this music, they play folk dances, ballads, and rural traditionals, but it is very important for them not to simply adapt the old music, but to create their very own style. They use traditional instruments handed down through the generations, such as the ‘white voice’, a special singing style, close to screaming, used by the shepherds of old. They also discovered the ‘suka’, an ancient Polish fiddle, played by fingernails. They create rhythm with two drummers each playing a single drum, which is a rather unusual combination for any kind of folk music. 

The Warsaw Village Band wanted to have fun making music in a spontaneous way, and when they first started performing, they just beat their drums in any traditional rhythm occurring to them until they met on common ground, creating a wholly unique and fascinating sound. You can hear stringed instruments sounding like French horns, furious drums, trance, improvisation, and elements of roots music. Above all, you can hear the enthusiasm and passion of six young musicians aged between 16 and 25 years. 

Their music brings back long forgotten traditional musical elements of trance, connecting ancient religious culture from all over the world, such as Sufi, Dervish, and Chassidim.To the Warsaw Village Band, music is the soul’s best drug, an inspiration and trance meditation; it is the rhythm and it is fun – let’s dance!» (Adastra-music)


  1. Do Ciebie Kasiuniu
  2. Taniec Chasydzki
  3. U Mojej Matecki
  4. Niolam Kochanecka
  5. Czerwone Jabluszko
  6. Polka Szydlowiecka
  7. Kto Sie Zani
  8. Bystra Woda
  9. Cozes Ty Kasiu
  10. Polka Folkisdead
  11. Pada Deszczyk
  12. Zurawie
  13. Maydow
  14. Mateczka Indo-European Minimal
  15. Joint Vienture In The Village

Maja Kleszcz: voice, chello
Magdalena Sobczak Kotnarowska: voice, dulcimer
Sylwia Świątkowska: voice, violin, płock fiddle
Ewa Wałecka: voice, violin
Wojtek Krzak: violin, drums
Piotr Gliński: baraban drum, percusión
Paweł Mazurczak: double bass
Maciej Szajkowski: polish frame drum, percusión
Mario Activator: soundmaster


pass: terrenosdenylon

lunes, 25 de julio de 2011

Berrogüetto- Hepta (2001)




Hepta, como es habitual en Berrogüetto, nace de un planteamiento ideográfico y conceptual. Su punto de partida es la reflexión y el juego alrededor del número mágico hepta, número siete en griego... siete notas musicales, siete colores del arco iris, siete bellas artes, siete músicos de Berrogüetto, siete amigos...
El tercer disco de Berrogüetto, Hepta, es el más coral de sus trabajos. Nos brindan trece temas, entre los que hay composiciones de todos sus miembros. Hepta es una muestra de la consolidación del estilo de esta banda pionera y de su madurez como equipo de trabajo. Una vez más Berrogüetto recibió el aplauso y reconocimiento de la crítica por su calidad.


1. Nanatsu
2. Vinte Anos 
3. Heptacordo
4. Baixando de ti 
5. Armenia
6. Samesugas
7. Setestrelo
7+1. Hebdomadaria
7+2. Albores
7+3. Cantos de Monzo
7+4. Gali@matías.tacom 
7+5. Alquimista de soños 
7+6. Azul Graso

Anxo Pintos: Gaitas, zanfona, flauta, saxo soprano y piano
Guadi Galego: Voz y gaita
Guillerme Fernández: Guitarra acústica, eléctrica, sintetizada y bajo
Quico Comesaña: Bouzouki, mandolina, arpa céltica, cítolas y banjo
Quim Farinha: Violín
Santiago Cribeiro: Acordeón y teclados
Isaac Palacín: Batería y percusiones

Invitados
Kin García: Contrabajo (en "Heptacordo", "Alquimista de soños" y "Azul graso") y bajo eléctrico (en "Gali@matías.tacom").
Xabier Díaz: Voz (en "Cantos de Monzo" y "Alquimista de soños")
Luís Palacín: Harmónica (en "Gali@matías.tacom")
Jivan Gasparyan: Duduk (en "Armenia")
Kalman Balogh: Cimbalom (en "Samesugas" y "Azul graso")
Markus Svensson: Nickelharpa (en "Samesugas" y "Setestrelo")


pass: terrenosdenylon

Cormac Breatnach- Music Journey (1998)




Musical Journey is Cormac Breatnach’s debut solo CD, released in July 1998, on Cormac’s own label, Dioscaí Mandala. It is a personal journey exploring the musical and cultural colors which influence his performance style, repertory and characteristic swing, which he brings to the music. A varied selection of pieces ranging from his favored polka form to songs carrying forth his Irish and Spanish identity, the pieces unite to portray an artist who is deeply rooted in his musical tradition but emotionally honest and willing to explore his own identity and to unselfconsciously allow it to emerge in its own inimitable form. 

Musical Journey is a collection of tunes recorded with contributions from Máire Breathnach, Steve Cooney, Niall Ó Callanáin, Paul Mc Sherry, Garvan Gallagher, and Theo Dorgan amongst others. The arrangements are warm with careful and considered accompaniments, the tune versions adventurous taking one on an unexpected journey with sudden and spontaneous variation and improvisation. 



  1. Sporting Paddy / Adele
  2. Tommy Whelan’s / Oíche Nollaig
  3. Na Ceannabhain Bhana / A Perpignan / Fasten The Legging In Her / The Legacy
  4. Port na bPucaí
  5. The Humours Of Tullycreen / The Princess Royal
  6. Mujeres (Women)
  7. The Britches Full Of Stitches / The Toda Klop / The Step Ahead Polka
  8. La Molinera
  9. The Tailor Small’s Jig / The Battering Ram
  10. Maidin Luan Chincise / Sabhbh / Song For Sabhbh
  11. The Belles Of Tipperary / Connie Connell’s / Cooley’s / Jennie Tie The Bonnet



Cormac Breatnach- Musical Journey
pass: terrenosdenylon